Made for the SHHS Round Table Newspaper:
PMell's Corner
07 March 2011
30 January 2011
The Network is Up
The Social Network, based on Ben Mezrich’s book, “The Accidental Billionaires”, is one of the most enjoyable movie-going experiences I’ve had all year. Although I haven’t read the book, I am guessing there were some creative liberties taken in this film, but it still comes across as an accurate biography of a college kid with the perfect idea for his time and the willingness and drive to make his dream a reality.
The movie revolves around Facebook founder and Harvard student Mark Zuckerberg, played by Jesse Eisenberg. When he breaks up with his girlfriend, he and his friend Eduardo Saverin, played by Andrew Garfield, create the website “FaceMash” to get even with her. While this gets him put on academic probation for six months, Mark’s website earns him recognition by his classmates, the Winklevoss twins, who want to use Mark to expand their Harvard student database. Zuckerberg and Saverin create “The Facebook” website using programming “borrowed” from the Winklevoss twins. It becomes a huge hit across campuses in the United States and eventually earns both Zuckerberg and Saverin a fortune. Great success, however, comes with a price, and Mark is thrust into legal battles as greed begins to cloud his every move.
The movie keeps a brisk, energetic pace, even when there isn’t a lot going on. This is made possible due to the superb editing and brilliant directing by David Fincher. The cinematography, while underplayed, is still effective. The soundtrack is excellent; every note seems to mesh with and enhance each scene. This comes as no surprise, as the soundtrack is composed by Nine Inch Nail’s Trent Renzor, one of the finest modern composers in music and film.
Jesse Eisenberg’s performance is what sold the film for me. He portrays the character of Mark Zuckerberg as a both an unrivaled genius and as a callous anti-hero. The character is thoroughly egotistical, but at the same time compelling. He knows he’s the smartest guy in the room, and will do anything to prove it. Whenever Eisenberg delivers his blank stare, you can see the gears turn in his head. The character’s stoic attitude makes the viewer crave the situations is which Eisenberg shows emotion, and whenever he does display any feeling, it contributes to the intensity of the character. I wouldn’t be surprised if Eisenberg gets an Oscar nod for his performance.
A surprising cast choice came in the form of Justin Timberlake, who played Sean Parker, co-founder of Napster and one of Zuckerberg’s business partners. The choice of Timberlake as Parker, however, really shouldn’t come as a surprise. The producers needed someone who had the charisma of a rock star to play the character that Zuckerberg idolizes and draws inspiration from, and Timberlake fits the role to a tee.
The Social Network is as close to a perfect movie as I’ve seen all year. I recommend it to anyone who has even the slightest interest in the website that revolutionized the internet, and to a smaller extent, the world. 5/5
The movie revolves around Facebook founder and Harvard student Mark Zuckerberg, played by Jesse Eisenberg. When he breaks up with his girlfriend, he and his friend Eduardo Saverin, played by Andrew Garfield, create the website “FaceMash” to get even with her. While this gets him put on academic probation for six months, Mark’s website earns him recognition by his classmates, the Winklevoss twins, who want to use Mark to expand their Harvard student database. Zuckerberg and Saverin create “The Facebook” website using programming “borrowed” from the Winklevoss twins. It becomes a huge hit across campuses in the United States and eventually earns both Zuckerberg and Saverin a fortune. Great success, however, comes with a price, and Mark is thrust into legal battles as greed begins to cloud his every move.
The movie keeps a brisk, energetic pace, even when there isn’t a lot going on. This is made possible due to the superb editing and brilliant directing by David Fincher. The cinematography, while underplayed, is still effective. The soundtrack is excellent; every note seems to mesh with and enhance each scene. This comes as no surprise, as the soundtrack is composed by Nine Inch Nail’s Trent Renzor, one of the finest modern composers in music and film.
Jesse Eisenberg’s performance is what sold the film for me. He portrays the character of Mark Zuckerberg as a both an unrivaled genius and as a callous anti-hero. The character is thoroughly egotistical, but at the same time compelling. He knows he’s the smartest guy in the room, and will do anything to prove it. Whenever Eisenberg delivers his blank stare, you can see the gears turn in his head. The character’s stoic attitude makes the viewer crave the situations is which Eisenberg shows emotion, and whenever he does display any feeling, it contributes to the intensity of the character. I wouldn’t be surprised if Eisenberg gets an Oscar nod for his performance.
A surprising cast choice came in the form of Justin Timberlake, who played Sean Parker, co-founder of Napster and one of Zuckerberg’s business partners. The choice of Timberlake as Parker, however, really shouldn’t come as a surprise. The producers needed someone who had the charisma of a rock star to play the character that Zuckerberg idolizes and draws inspiration from, and Timberlake fits the role to a tee.
The Social Network is as close to a perfect movie as I’ve seen all year. I recommend it to anyone who has even the slightest interest in the website that revolutionized the internet, and to a smaller extent, the world. 5/5
It Stings a Little: The Green Hornet Review
Remember “Kick A**”? Remember how it was able to effectively parody the clichés and plots of superhero movies, while also being a decent action thriller. Well, this isn’t it; this is “The Green Hornet”.
Based on a 30’s radio serial and a 60’s camp TV show starring Bruce Lee, this film retells the story of how newspaper editor Britt Reid becomes the masked vigilante, how he acquires his faithful sidekick, Kato and his secretary Lenore Case, and their ensuing quest to stop crime boss Chudnofsky.
Seth Rogen as Britt Reid is miscast, whenever he is trying to be funny, it comes off as rushed and forced. Surprisingly, he co-wrote the movie with his usual writing partner Evan Goldberg and usually Rogen can write well for himself, but here, it just shows why he should stick to “bro-medies”. The Taiwainese pop star, Jay Chou plays Kato and although no Bruce Lee, he holds his own with Rogen and sometimes seems a more believable and capable hero. If anything, Kato is the real star of the movie. The chemistry between Rogen and Chou is forced and for the movie to have been a complete success that chemistry between the characters is a must. The rest of the cast, including Cameron Diaz as Lenore and Oscar-winner Cristoph Waltz as Chudnofsky, know the movie is supposed to be campy and schlocky, so they overact accordingly.
Despite the mediocre performances, the visuals are impressive. The cinematography is dynamic, free from many of the stock angles and techniques used in superhero movies. The hero’s car, the Black Beauty, is one of the best “gadget cars” in any recent movie. With concealed weapons, ejector seats, and a slick black-and-chrome color scheme; the car scenes alone are worth the admission price. The effects, on the other hand, are hit and miss. The practical effects used on the Black Beauty and the car chases are excellent, but whenever CGI is used for Kato’s “bullet time” sequences or Reid’s flashbacks, it looks dated.
“The Green Hornet” is an OK movie, one that you could easily wait to view when it’s released as a DVD. It doesn’t try to be a great superhero movie like “The Dark Knight” or “Iron Man". It tries to be pure fun, and on that level, it works pretty well. 3/5
Based on a 30’s radio serial and a 60’s camp TV show starring Bruce Lee, this film retells the story of how newspaper editor Britt Reid becomes the masked vigilante, how he acquires his faithful sidekick, Kato and his secretary Lenore Case, and their ensuing quest to stop crime boss Chudnofsky.
Seth Rogen as Britt Reid is miscast, whenever he is trying to be funny, it comes off as rushed and forced. Surprisingly, he co-wrote the movie with his usual writing partner Evan Goldberg and usually Rogen can write well for himself, but here, it just shows why he should stick to “bro-medies”. The Taiwainese pop star, Jay Chou plays Kato and although no Bruce Lee, he holds his own with Rogen and sometimes seems a more believable and capable hero. If anything, Kato is the real star of the movie. The chemistry between Rogen and Chou is forced and for the movie to have been a complete success that chemistry between the characters is a must. The rest of the cast, including Cameron Diaz as Lenore and Oscar-winner Cristoph Waltz as Chudnofsky, know the movie is supposed to be campy and schlocky, so they overact accordingly.
Despite the mediocre performances, the visuals are impressive. The cinematography is dynamic, free from many of the stock angles and techniques used in superhero movies. The hero’s car, the Black Beauty, is one of the best “gadget cars” in any recent movie. With concealed weapons, ejector seats, and a slick black-and-chrome color scheme; the car scenes alone are worth the admission price. The effects, on the other hand, are hit and miss. The practical effects used on the Black Beauty and the car chases are excellent, but whenever CGI is used for Kato’s “bullet time” sequences or Reid’s flashbacks, it looks dated.
“The Green Hornet” is an OK movie, one that you could easily wait to view when it’s released as a DVD. It doesn’t try to be a great superhero movie like “The Dark Knight” or “Iron Man". It tries to be pure fun, and on that level, it works pretty well. 3/5
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